Vocal Vibrance Website

Sign-Up

Free Newsletter



Navigation

Home
Your Beautiful Voice
Sample Chapter
Reviews
Sitemap
About Us
Contact Us



Resources

Free Videos
Free Tools
Articles


eBooks by Suzann

"How To Make Money As a Wedding Singer"


Buy "VOCAL VIBRANCE"

Order the Book Here
(240 pages / paperback)





Breathing: From Rock to Opera


My students have been interested in everything from classical to rock, from Broadway to nightclub, and from jazz to ensemble work. Here's the thing: It all starts from the same place - your breathing technique.





The Supported Breath

Breathing has more uses than keeping our voices healthy and strong. Even the intimate late-night breathy ballad singer needs to sing on a supported breath. Why? Because with a muscle system that automatically supports the breath, the singer can let go of thinking about breathing (it's at the point where you're doing it naturally because you've practiced so much), and concentrate instead on delivery; on dynamics, emotion, and connecting with an audience.

If you sing rock or have to screech on stage for some reason, you can do it from the strength of the diaphragm rather than trying to push such sounds out from your throat. This will keep those nodes at bay.

A Mental Image for the Supported Breath

No matter what genre we sing, here's the mental image for the breath. Our strength is all in the diaphragm and intercostal muscles controlling the rib cage. Air is pushed up and out by the muscles down there. We think of the esophagus and even the larynx as an empty conduit through which the breath travels unhindered on its way up and out. The air floats over and through the larynx and vocal cords, but the power comes from below them.


Copyright (c) 2007 Suzann Kale. All rights reserved.